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• BA
• MA (Pennsylvania)
• PhD (John Hopkins)

My research interest inÌýiconoclasmsÌýhas led to the publication of numerous articles and four books (one of which,Ìý, weighs in at 2 kilograms, and won the 2011 PROSE award for best publication in the Humanities and also in History).Ìý An international workshop on Iconoclasms which I was invited to organize in 2009 for Harvard led to the formation of a research group – the Iconoclasms Network, with 16 members from across America and Europe – for which I received three years of funding from the Arts and Humanities Research Council.ÌýWe worked closely with Tate Britain on an exhibition on iconoclasm in Britain (Art Under Attack) that ran September 2013 until January 2014 and was accompanied by aÌýfifth book on IconoclasmÌýco-edited with Dr Stacy Boldrick and Prof Richard Clay. ÌýThe concise survey,, will appear in Italian translation in winter 2015.ÌýMy research on iconoclasms led to a related interest in cultural exchange, and several of my PhD students have worked or are working in this area.

My interest inÌýtext and imageÌýis longstanding, and was the subject of my first book () as well as a number of articles.ÌýThis project has led me to a strong subsidiary interest in visual theory, visual literacy and visual semiotics – all of which tie into my third key area of interest,Ìýgender in the Byzantine world.ÌýI co-editedÌý, am on the editorial board ofÌýGender and History, and have lectured widely on Gender in Byzantine.ÌýMany of my past and current PhD students (see below) work in areas related to these two interests.Ìý

All of these interests came together in the Arts and Humanities Research Council funded project onÌýIcons, relics and the cult of the Virgin, which I ran 2003 and 2006.ÌýThis has resulted inÌýThe Cult of the Mother of God in Byzantium, texts and imagesÌý(Ashgate, 2011), which I co-edited with Mary Cunningham. ÌýMary and I are also completing a book onÌýThe Virgin Mary in the Byzantine world, 600-1000:Ìýrelics, icons, words and the rituals of daily life.ÌýWe will both be at Dumbarton Oaks Centre for Byzantine Studies (Harvard) in 2016 to complete the manuscript.

Late Antique, Byzantine and early medieval art, architecture and material culture, the relationship between word and image; the study of illuminated manuscripts; theories of perception and interpretation; the transmission of cultural capital, in particular the movement through trade, gift exchange or diplomatic gift of luxury products; gender.

I am active in a number of societies, and am on the executive committee of the Society for the Promotion of Byzantine Studies. I sit on the editorial boards of the Birmingham Byzantine and Ottoman Studies series (Ashgate), and Cultural encounters in late antiquity and the middle ages (Brepols); and am a member of the editorial boards of the journals Gender and History and Byzantinoslavica.  I have served on the Board for British Academy Sponsored Institutes and Societies (BASIS), with special responsibility for the British School at Rome and the British Institute at Ankara, and the International Engagement Committee of the British Academy. In 2010, I received the Distinguished Alumnae Award from the Pennsylvania State University.

I have organised two Byzantine Spring Symposia at Birmingham, was a member of the organising committee for the Congress of Byzantine Studies in London in 2006, and am an international consultant for the forMuse-Projekt (Papurusmuseum – Museum der Kultur in Agypten.  Neue Aspekte in einem Museum mit besonderem Potential) run by the University of Vienna and the Österreichische Nationalmuseum.