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• Fellowship of the Higher Education Academy
• PhD (English; University Â鶹¾«Ñ¡)
• MA by Research (English; University Â鶹¾«Ñ¡)
• BA (Hons) (English; University Â鶹¾«Ñ¡)

I joined the University Â鶹¾«Ñ¡ as Lecturer in Nineteenth-Century Literature in September 2017, having previously been employed as a Visiting Lecturer and Teaching Associate (since 2013). I completed my PhD, MA, and BA at Birmingham. 

I lecture and teach across a range of undergraduate modules, including ‘Gothic’, ‘Decadents & Moderns’, and ‘Shakespeare’s Sisters’. I am also involved in workshops for our MA students taking the Long Nineteenth Century pathway.

I welcome applications for doctoral projects related to my research specialisms.

Find out more - our PhD English Literature  page has information about doctoral research at the University Â鶹¾«Ñ¡.

My first monograph, (Edinburgh University Press, 2020), examines the mutual influences of Egyptology and literary culture across the closing decades of the nineteenth century and the opening decades of the twentieth, in the wake of the discovery of the tomb of Tutankhamun. In this book I conceive of a culture that at once encompasses Egyptological writing, popular forms of fiction, as well as works of ‘high modernism’, from the writings of archaeologists such as Howard Carter, through to the fiction and poetry of figures as diverse as H. Rider Haggard, Marie Corelli, Oscar Wilde and H.D. It also brings into conversation the physical books published by authors and Egyptologists alike, establishing the complex relationships between these objects as products of Egyptological study and the objects of Egyptological study themselves: artefacts often housed in museums, and sometimes in the private collections of these very authors.

My second book, entitled (UCL Press, 2022), focuses on science of the nineteenth and early twentieth centuries, particularly when it is seen to intersect with contemporary ideas about the supernatural or occult. It integrates and builds on my previous work on establishing the quasi-alchemical ways in which depictions of electrical phenomena and X-rays are presented as emblematic of magical lore of the ancients, and, simultaneously, the pinnacle of modern scientific understanding. The book's other chapters trace similar parallels in optical science, astronomy, and psychology, and Victorian Alchemy concludes by charting these tropes forward into modern media, spotlighting particular nineteenth-century legacies.

I am currently working on a project entitled Gothic Archaeologies, exploring the dark resonances of sites that have a particular hold on the popular imagination, including Pompeii, the tomb of Tutankhamun, and the wreck of the Titanic.

With Dr Andrew Hodgson, I am Undergraduate Admissions Tutor for English Literature. I am a member of the University Â鶹¾«Ñ¡’s Nineteenth-Century Centre, Centre for Modernist Cultures, and the Centre for Literary Editing and the Materiality of the Text.