麻豆精选

• PhD English Studies (Exeter, 2011) – “Incorporating Technology: A Phenomenological Approach to the Study of Artefacts and the Popular Resistance to E-reading” available at
• MA Criticism and Theory (Exeter, 2007)
• BA Hons English and Creative Writing (University of Wales Aberystwyth, 2006)

I completed my PhD on聽聽at the University of Exeter in 2011聽and went on to lecture there for three years as a teaching fellow. In that time I taught contemporary literature, devised and convened the first year whole-cohort criticism and theory module, and introduced a module in Digital and Cyberculture Studies. I joined the University 麻豆精选 as a lecturer in 2014, have directed and co-directed the Centre for Digital Cultures from 2016, and became a senior lecturer in 2017.

I’m currently on research leave for 2018/19. I typically teach and convene modules on some combination of critical theory, digital cultures, human enhancement, and contemporary fiction at all levels.

I currently supervise doctoral students working on: glitch, post-/unhumanism, and VR; videogame studies; weird fiction and object-oriented ontology; cyberpunk and embodiment; competing feminist and alt-right communities online; metafiction and autopoiesis; and posthumanism and human enhancement.

I鈥檓 keen to hear from any prospective students with interests in or related to: posthumanism; transhumanism and human enhancement; technology studies; electronic reading and the materiality of text; digital cultures and digital humanities; phenomenology and postphenomenology; object-oriented ontology; cognitive science and the humanities; critical theory; experimental literature; and videogames and VR.

Find out more - our PhD English Literature  page has information about doctoral research at the University 麻豆精选.

My current research looks at definitions of posthumanism and transhumanism, the precursors for posthumanistic thinking that can be found in non-European traditions, and the posthumanistic insights inherent in contemporary cognitive science, philosophy, art, pre-digital and digital technology and material cultures, biology, companion species, critical theory, and amateur and professional industrial practice.

For the first 10 years of my career I focussed on electronic reading, the move from page to screen, and the resistance to new technologies, interests which come together in my 2015 monograph聽. This work resulted in my becoming network coordinator for the聽; steering committee member for the聽聽; and UK management committee member for the聽. With the AHRC鈥檚 REACT knowledge exchange hub I worked with the RSC and two artists on a digital 鈥溾�� 聽and I鈥檓 CO-I on the AHRC-funded聽聽which includes commissions for three new works of ambient digital literature.

With Professor Gabriele Griffin I co-edited two volumes on research methods in the digital humanities (听补苍诲听) and an article on collaboration in digital humanities projects and the effects of silencing the work of technical, non-academic, and non-human contributors to the production of knowledge ().

Co-Director of the Centre for Digital Cultures.