Â鶹¾«Ñ¡

• BA Classical Studies (Bristol)
• MSt Greek/Roman History (Oxford)
• PhD Classical Reception Studies (Birkbeck College, London)

I came to Birmingham from Centre for Research in Arts, Social Sciences and Humanities (CRASSH, Cambridge), where I was a postdoctoral research fellow on the European Research Council Funded project 'The Bible and Antiquity in Nineteenth-­Century Culture'. I studied for my PhD in the School of History, Classics and Archaeology at Birkbeck College London (2009). Since then, I have been a Henry Moore Foundation Postdoctoral Fellow at the University of Bristol's Institute for Greece, Rome and the Classical Tradition; Teaching Fellow in the History of Art at the University of York; Postdoctoral Fellow at the Paul Mellon Centre for Studies in British Art, and Teaching Fellow in Classics and Ancient History at the University of Bristol.

LC/Year 1

• Historical Concepts in the History of Art
• Writing Art’s Histories I
• A History of Art in 20 Objects B

LI/Year 2

• Art, Race and the British Empire, 1837-1901: Contexts, Approaches, Legacies
• Research Techniques in the History of Art

LH/Final Year/MA: Special Subject Modules

• An UnNatural History: Animals in modern Western Art
• Pre-Raphaelites: Contexts, Approaches, Reputations

LM

• Made in Birmingham: Art and Urban Space
• What is British Art?

I also contribute a session on ‘Legacies’ to the EDACS MA module ‘Empire and the Imagination’, convened by Dr Fariha Shaikh.

I would welcome enquiries from prospective postgraduate students hoping to undertake research relating to my research and teaching interests in British art (especially in the Victorian period); classical reception studies; the history and theory of museums; art and animals; art and imperialism; art and industry.

Current Research Students
• Zoe Fox, The Political Power of Urban Transformation: A Comparative Historical Analysis of the Augustan and Fascist Building Programs in the Heart of Rome’s Centro Storico, Part Time, 2020- (co-supervised with Professor Diana Spencer, Classics/LANS, and Dr Lloyd Jenkins, Geography/LANS)
• Shawn Bullock, Reframing the Tourist Picturesque: Intersections of photographic technologies and visual cultures in the British Empire, 2021-
• Alessia Attanasio, From Vesuvius to the Thames: The fortunes of Baroque Neapolitan art in English collections, Full Time M4C funded, 2022-
• Becky Smith, Sound and sight: the implied soundscapes of visual culture c.1760 - c.1830, Haywood Scholar, 2023-
• Emily Pearce, Consuming Gold. How the United States' nineteenth-century appetite for 'oriental' arts was born of and satisfied through imitation numismatics objects. Part Time, 2023-
• Shikha Bose, Centring on the Periphery: Birmingham at the Nineteenth-Century International Exhibitions, Part Time, 2024-

Previous Research Students
• Annabelle Gilmore, Slavery and Empire on Display at Charlecote Park, M4C-funded CDA with the National Trust, 2020-25 (as second supervisor; co-supervised with Dr Kate Smith and the National Trust)
• Delaram Motlagh, Victorian Cleopatras: Sexuality, Race and Empire at the Fin de Siecle, M4C funded, 2020 -25 (co-supervised with Dr Ellie Dobson and Professor Rebecca Mitchell)
•Alan Bean, Natural Piety and Sentiment: Landscape, Children and Religion in the paintings of William Collins R.A. (1788-1847), 2020- (co-supervised with Dr Claire Jones and Dr Jessica Fay)
•Katy Owen, Making an Exhibition of Herself. Professional Female Artists and Birmingham’s Art Culture from 1860 to 1920, College of Arts and Law Doctoral Scholarship, 2018-2022 (co-supervised with Dr Zoë Thomas, History).
•Clare Matthews, Classical Culture in Nineteenth-Century Industrial Cities, AHRC M3C funded PhD, 2017-2021 (co-supervised with Dr Mark Bradley, Classics, Nottingham University)
•Rebecca Savage, The Great Western Rail Posters of 1930-39, College of Arts and Law funded, MRes, 2017-18 (co-supervised with Dr Claire Jones)
•Katherine Reeve, Making a Modern Miranda: How Shakespeare’s Miranda became a figure of Victorian modernity, with reference to John Bell’s Parian statuette, Miranda (1850), MRes, 2016-18 (co-supervised with Dr Rebecca N. Mitchell, English, University Â鶹¾«Ñ¡)

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Find out more - our PhD History of Art  page has information about doctoral research at the University Â鶹¾«Ñ¡.

Four main concerns animate my research. First, viewer interactions with ancient and modern sculpture and painting in the new Victorian contexts of art museums, International Exhibitions, and emergent consumer and sporting cultures in Britain and Australia. Second, the depiction and formation of race, class, gender and sexuality in Victorian painting c.1865-1912. Third, the relationship between art, labour and new technologies in the long nineteenth century. More recently, I have become interested in the ways in which art works establish and blur boundaries between humans and other animals; I’ve co-curated (with ) related exhibitions at Wolverhampton Art Gallery and the Barber Institute of Fine Arts.

I am currently working on a book project provisionally titled 'A Global History of Victorian Art'. This explores the mobility of both Victorian paintings and the art materials, models (human and animal) and objects essential to their fabrication, in the context of British imperialism. In 2017 I was awarded a Universitas 21 fellowship at the University of Melbourne to undertake provisional archival research for this project, and I’m busy writing it up at the moment.

My first book, , was published by Oxford University Press in 2015. It examines the social, political, and aesthetic role of ancient Greek and Roman sculpture in modern Britain, the first in-depth assessment of how classical art figured in debates over design reform, taste, beauty and morality, class and gender, and race and imperialism.

In 2022/23 I am Director of Postgraduate Research for the Department of Art History, Curating and Visual Studies, and Senior Tutor for the School of Languages, Cultures, Art History and Music. This means I am responsible for overseeing all Personal Tutoring in the School.

With Dr Sabrina Rahman (Exeter), and Victoria Osborne (Birmingham Museums Trust), I am co-convenor of British Art Network Research group ‘Race, Empire and the Pre-Raphaelites: Decolonising Victorian Art and Design through Museum Collections and Practice. This research group brings together museums holding Pre-Raphaelite and Arts & Crafts collections with academics working in related fields to consider these objects’ global contexts, particularly in relation to ideologies of Orientalism and Empire. Our funding and events will run from December 2020-December 2023. .

I was founding editor (2016-19) of Midlands Art Papers, a collaborative online journal, working between the University Â鶹¾«Ñ¡ and 11 partner institutions to research and explore the world class works of art and design in public collections across the Midlands.

Curating

• 2019 (with Dr Sam Shaw and Carol Thompson), Wolverhampton Art Gallery
• 2018 Looking at Animals. Perspectives on the Natural World (with Dr Sam Shaw and Helen Cobby), Barber Institute of Fine Arts

Recent conference organisation

• 2022 (with Dr Deniz Sözen) Imperial Encounters: Art, museums and education at the crossroads of empire and post-Brexit Britain.
• 2019 (with Dr Sam Shaw) Reframing Animals, Wolverhampton Art Gallery.
• 2019 (with Dr Megan Cavell and Dr Julia Myatt) Thinking with Animals, Institute of Advanced Studies, University Â鶹¾«Ñ¡.
• 2018 (with Dr Barbara Pezzini) , Ikon Gallery and the Barber Institute.

Other activities

• I am a member of 19cc – the Nineteenth-Century Centre an interdisciplinary network at the University Â鶹¾«Ñ¡. I am also on the Executive Committee for , the British Association for Victorian Studies.
• In 2016 I initiated the , and supported a group of student volunteers from across the University to select objects exploring the lives and communities of LGBTQIA+ people from the University Â鶹¾«Ñ¡’s Research and Cultural Collections.

I am a mentor for the careers service's LGBT student mentoring scheme.