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• Diploma in Acting from LAMDA (3 year course) - 1996
• LAMDA Teacher’s Diploma (LLAM) - 1998
• BA Hons in Humanities with Literature (Open University) - 2001
• MA in Shakespeare Text and Playhouse (King’s College, London/ Shakespeare’s Globe) - 2002
• PhD on ‘Shakespearean Verse Speaking’  (Cambridge University) - 2006

I began my career as a professional actor, my acting work including numerous roles in theatre, and, amongst other television roles, Primrose Larkin in TV’sÌýThe Darling Buds of May.ÌýFollowing a degree with the Open University, undertaken whilst acting, I went on to take an MA in ‘Shakespeare: Text and Playhouse’ at the Globe Theatre/ King’s College London.ÌýI completed my PhD in ‘Shakespearean Verse Speaking’ in the English faculty at Cambridge University in 2006 after which I became a lecturer in Drama and English in the Education Faculty in Cambridge and Director of Studies in English and Drama at Homerton College, Cambridge. I joined the Shakespeare Institute in January 2013.

I was on the board of the British Shakespeare Association from 2002-2010 and Chair from 2008-10.ÌýMy first monograph,ÌýShakespearean Verse SpeakingÌýwas published by Cambridge University Press in January 2010, and in July 2012 won the Shakespeare’s Globe First Book Award, as a result of which I was invited to give public lectures at Shakespeare’s Globe, Cheltenham Literary Festival and the Shakespeare Institute. ÌýFollowing these lectures Shakespeare's Globe and The Shakespeare Institute collaborated on a series of Verse Speaking Symposia - 'The End of Shakespeare's Verse?' in which Giles Block I presented our ideas about verse speaking in venues in Staunton Virginia, New York, Stratford Ontario, Stratford upon Avon and at Shakespeare's Globe in London.Ìý

I completed a second monograph –ÌýShakespeare for Young People: Productions, Versions andÌýAdaptationsÌýforÌýBloomsbury Arden in 2013, a third –ÌýShakespeare in the Theatre: Nicholas HytnerÌýfor Bloomsbury Arden in 2017 and As You Like It: Language and Writing for Bloomsbury Arden in 2021.Ìý I have recently co-written Shakespeare and Lecoq: A Practical Guide with Ed Woodall for Arden Bloomsbury (due 2024).

In 2017, I was appointed one of the general editors of the new Arden Shakespeare Performance Editions with Michael Dobson and Simon Russell Beale.Ìý I have editedÌýA Midsummer Night’s DreamÌýandÌýHamlet and co-edited King Lear and Richard III with Simon Russell BealeÌýfor the series.

I have contributed chapters toÌýKing's College Cambridge 1415-2015Ìý(Harvey Miller),ÌýShakespeare Beyond EnglishÌý(CUP),ÌýShakespeare in StagesÌý(CUP),ÌýThe Children’s Literature HandbookÌý(Routledge),ÌýThe Oxford Companion to Shakespeare’s PoetryÌý(OUP) andÌýThe Great Shakespeareans: Gielgud, Olivier, Ashcroft, DenchÌý(Bloomsbury Arden) and the supplementary material onÌýMuch Ado About NothingÌýfor theÌýGreenwood Companion to Shakespeare.

I have written a number of journal articles including the only interview given by David Tennant on his performance as Hamlet.Ìý In 2013 I edited a special edition ofÌýShakespeareÌýjournal for Routledge onÌý‘Shakespeare and Authenticity’.

For the past few years I have been working with the RSC on ‘Signing Shakespeare’, a project which has produced a series of resources and films for teaching Shakespeare’s Macbeth to deaf children – now available on the RSC Learning pages.Ìý I will be co-directing a total communication production (BSL, SSE, spoken word) of the first act of The Tempest with students from Braidwood School for the Deaf at Birmingham Rep in July. Ìý

I have recently directed Edward II and Massacre at Paris for ‘The Marlowe Sessions’ – an immersive audio project (L6L21 productions).

I recently filmed a short documentary – ‘Stratford’s Forgotten Theatre’ about the Stratford Roundhouse and am now working on a documentary about Buzz Goodbody.

My teaching is largely focussed in the areas of Shakespeare in performance and Shakespeare for young people.  I convene the MA route in Shakespeare, and the MA in Shakespeare and Creativity.

I convene the modules - ‘Shakespeare and Theatre Practice’, ‘Shakespeare in Society’ and ‘The Shakespeare Ensemble’ and co-convene ‘Teaching Shakespeare’.

I believe that students can benefit greatly from practical exploration of Shakespeare’s work in areas of both original practices and contemporary performance, particularly in terms of appreciating the impact of elements such as space, casting, textual choices, voice, movement, dialect and design. 

I currently supervise PhDs in a range of areas connected to the history of Shakespeare in performance, contemporary theatre practice, and Shakespeare and mental health. I am interested in supervising PhDs in areas of Shakespeare in performance, Shakespeare’s language, Shakespeare and adaptation, Shakespeare for young people and applied Shakespeare.

Find out more - our PhD Shakespeare Studies  page has information about doctoral research at the University Â鶹¾«Ñ¡.

I am one of the general editors of the Arden Shakespeare Performance Editions, for which series I have editedÌýA Midsummer Night’s Dream,Ìý Hamlet, King Lear and Richard III (with Simon Russell Beale). I am also a general editor of the Arden Shakespeare Performance Companions for which I have co-written Shakespeare and Lecoq. I am currently working on ‘Signing Shakespeare’, a project on Teaching Shakespeare to D/deaf Children and a project with the RSC on creating Deaf-accessible rehearsal editions of Shakespeare.Ìý I am writing Insights on Shakespeare’s Dramatic Verse for Arden Bloomsbury.

• I am Deputy Director (Education) for the Shakespeare Institute.
• I am also Postgraduate Taught Lead for the College of Arts and Law.